![]() ![]() There is also what is known as “crystallographic balance” that distributes the load all over the surface of a composition.One more thing, you can balance a large object with a similar but smaller object by placing the large one closer to the centerline while keeping the smaller one more distant, like how it works with a seesaw.Also, a small complicated shape may balance with a larger but much less complicated shape.For example, a large object with light color saturation may balance with a relatively small object with heavier color saturation. Asymmetrical balance can be achieved by playing with size and color saturation or texture.Contemporary architects believe in more indirect methods. However, symmetry is not the “thing” now. This how it has been done since ancient times. The most obvious way to achieve balance is by symmetry. Balance is another essential factor that should be present in the design of an architectural elevation. The ratios and proportions which are thought to compose the most visually pleasing composition can be applied to the dimensions of various elements, their distribution, and the spacing between them.ĥ.The Modulor, from Le Corbusier’s book of the same name.Alberti Proportions, from The Ten Books on Architecture by Vitruvius.Rules were being devised since the time of ancient Greece to obtain perfect proportions, and here are some of the most commonly used proportions in design. ![]() Proportions are vital in architecture, and naturally in elevation design. Moreover, a distinctive element on a plain undistinctive background would do the same job.Ĥ. Massive elements and parts also attract the eye and are regarded as a focal point.That is why since ancient times, entrances have been most of the time placed at the center. Also, placing something at the center by default makes it a focal point.Isolating one element from the successive pattern of the rest make it a focal point in a way. There is also an emphasis on isolation.This contrast can be created by color or shape and texture. The emphasis, by contrast, is one way.Emphasis is important in the elevation design to lead the eye of the viewer to the entrance, for example, or other important parts, and there are many ways to achieve emphasis. ![]()
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